Genesis Series V

This work marks a transition within the Genesis Series, where the piece shifts from a grounded object to a suspended presence. No longer anchored to a base, it begins to inhabit space more freely—closer to a living entity than a functional object. Light, structure, and interaction come together to suggest a form of life that not only exists, but responds.

The internal system continues to evolve: a blue central column supports a spiraling LED structure, where light wraps, circulates, and gathers—no longer dispersed, but rhythmically contained.

Genesis Series V

In darkness, the piece emits a soft, immersive glow, resembling a drifting organism in deep water. The light spirals gently around the inner column, creating a sense of continuous movement, as if energy is flowing within a contained body.

The illumination feels alive—neither static nor chaotic, but quietly pulsing. Its presence evokes something biological, reminiscent of deep-sea creatures that generate their own light, existing in isolation yet fully self-sustained.

Genesis Series V

When unlit, the structure becomes more visible. The central blue column holds the internal light system, while the translucent membrane wraps around it with soft folds and gravity-driven draping. Suspended in air, the piece appears lighter, less constrained—its form defined by both structure and gravity.

Without light, it resembles a dormant organism, holding potential energy within a delicate outer skin.

The bio-plastic membrane reveals fine variations—tiny bubbles, stretched textures, and subtle thickness changes. These irregularities catch light unevenly, enhancing the sense of depth and organic formation.

Inside, the spiraling LED lines create a more unified internal rhythm compared to earlier works. The light no longer searches or disperses; it circulates, suggesting a contained yet active system.

The interplay between inner structure and outer membrane produces a layered perception—one that shifts between clarity and obscurity, revealing a body that is both constructed and alive.

Through touch, the piece responds. A simple gesture—pressing the control—alters the intensity of light, shifting its presence from faint to luminous. This interaction introduces a subtle dialogue between human and object.

The work does not merely emit light; it reacts. The change in brightness feels less like a function, and more like a modulation of energy—akin to adjusting the breathing or pulse of a living form.

Suspended and responsive, this piece moves beyond containment into interaction. Light becomes not only a visual element, but a behavior—one that can be sensed, altered, and experienced. It captures a moment where life is no longer only forming, but beginning to communicate.